New bff.
January 24th, 2012Mildly [as in, manically] obsessed with old heads with implanted hair, I came across this one in an obscure old town in Europe. It’s a mere 13 inches tall. When I got my hands on it, it was covered in some sort of soot and ashy dirt. I was not sure of the kind of hair fiber, until I started washing it. It started reeking of goat. It was yak hair. It turned out to be an alluring pure white color, resembling coarse human hair in texture and behavior. Endless hours of hair play ahead.
M.C. for 1972
January 21st, 2012It snowed today in NYC. All the browns and greys, we so beautifully matte and muted.
For Mary Collins, it was 1972 all over again.
Vertigo
January 16th, 2012Been studying Kim Novak’s hair in Vertigo again. Hitchcock seems to have been obsessed with using it as a character, these loving close ups make it so obvious. Many shots are composed around her hairstyles [all delicate wigs] and often, the actual lens focus is on her hair, not the faces. The swirl chignon isn’t there for mere decoration, built like a dizzying vortex leading into a dark hole. When Madeleine needs to seem upset, her hair tells part of the story. When she’s in top form seducing Scotty, not a single hair out of place, even on a windy hilltop. When she needs to inspire Scotty’s sympathy and protection, her hair is at its most vulnerable, exposed, sad wet tendrils, crying on her back. Her hair is a main character in the diabolical plot against poor, dazzled Scotty.
Not gone with the wind. Elnett-ed to infinity.

Ready for its close up. One of many.

Another miracle of senses is inspired by the two different shots used when Scotty sees Madeleine for the first time. This scene was reshot after filming had been completed [Novak had looked in the camera by mistake] and bears signs of inevitable slips in continuity. Can you guess which is the latter version? It’s the one with the redder background.

Judy is a mere brunette, a lesser breed. She knows it. “I’m just a girl.”

As Judy, she disappears into the background. She has no light.

“I don’t care about me anymore.”

More can be said about Midge’s [sensible] hairstyle and about Carlotta Valdez’ [severe] hairstyle.
Anyway, meet Kim’s wig head, on which Max Factor created her Vertigo wigs.

Tay
January 16th, 2012LatelAy, I’ve been meeting my friends at Tea and Sympathy.
Underneath.
December 28th, 2011Hell-oh from the studi-oh
December 20th, 2011D magazine
December 2nd, 2011D magazine shoot w/ Taghi Naderzad.
http://www.pier59studiosblog.com/2011/12/shot-at-p59-taghi-naderzad-for-d-la-repubblica-magazine/
November vlog
November 25th, 2011Been traveling much lately. This month it was Italian Vogue, Russian Vogue, Flaunt magazine, The Ground and some others that I’m not ‘sposed to mention.
Gravure magazine
November 25th, 2011the Gravure magazine shoot I did with Diego Uchitel is just out.
more images @ http://gravuremag.com/#2179-tenth-muse
Photography by Diego Uchitel
Creative Direction by Alex Freund & Lisa Mosko
Hair by Thanos Samaras for Bumble & Bumble
Makeup by Thorsten Weiss
They don’t make them like they used to.
November 25th, 2011Incessantly collecting (and using) old school hairstyling tools.
They don’t make rollers like these anymore. These metal ones are from the early 40s. They retain heat and transmit it into the hair long after you take them out of the dryer, making for a tighter curl. Their mesh construction renders them unsuitable for fine bleached hair, as they will leave dents. But perfect for thick, virgin hair. The spring coil ones, are in such rare small sizes, perfect for sideburns, baby hair, nape curls and for sneaking them between large ones where needed. These bad girls have just arrived, to join an army of long forgotten, strange old (very useful) curlers in my arsenal of old tools.
(also, observe the early 30′s pin curl clips, that are formed in a way that doesn’t crush the hair!)














































