A recent shoot with Christian Lucidi.

New work in The Ground magazine. Shot by Seiji Fujimori.

[backstage]
I enjoyed working with Tabea, a very disciplined model.

New work out in Italian Vogue, June issue. Photos by Greg Lotus, shot in Miami.

This old hairpiece was used in French movies in the 40s and 50s.
Before I use it for a shoot, I had to reassure it that it’s in loving hands,
treating it to some familiar Marcel goodness.

Day off on a rainy day in my apartment, has its pros and its cons.
Pros, I don’t get slimy wet and gross. Cons, I get sad-ish and grim.

Don’t you be judging my makeshift ghetto band-aid.
[I like my scalpels sharp.]

Saturday afternoon errands, is a cumbersome affair.

It seems I’ve always been excited by the simple things. “woooaaaahhh floweeerss wooah”

Spring morning.

Judex (1963). Masked villainesses and mismatched hairpieces = excitement in my special area.

Outtakes from a beauty story I did for Vogue Hellas.

I like to keep my kit at its bare minimum. These tools are all I need, I only ever use.

i foresee another sleepless one, prepping for a 5am call.

Go to the 3:51 mark. How intelligent, how clever, to treasure and protect her work and the person she created up on the screen, as she does. Clear cut. Amidst today’s mess.