Flaunt.

January 24th, 2012

New work in this month’s Flaunt magazine.





New bff.

January 24th, 2012

Mildly [as in, manically] obsessed with old heads with implanted hair, I came across this one in an obscure old town in Europe. It’s a mere 13 inches tall. When I got my hands on it, it was covered in some sort of soot and ashy dirt. I was not sure of the kind of hair fiber, until I started washing it. It started reeking of goat. It was yak hair. It turned out to be an alluring pure white color, resembling coarse human hair in texture and behavior. Endless hours of hair play ahead.









M.C. for 1972

January 21st, 2012

It snowed today in NYC. All the browns and greys, we so beautifully matte and muted.
For Mary Collins, it was 1972 all over again.





Vertigo

January 16th, 2012

Been studying Kim Novak’s hair in Vertigo again. Hitchcock seems to have been obsessed with using it as a character, these loving close ups make it so obvious. Many shots are composed around her hairstyles [all delicate wigs] and often, the actual lens focus is on her hair, not the faces. The swirl chignon isn’t there for mere decoration, built like a dizzying vortex leading into a dark hole. When Madeleine needs to seem upset, her hair tells part of the story. When she’s in top form seducing Scotty, not a single hair out of place, even on a windy hilltop. When she needs to inspire Scotty’s sympathy and protection, her hair is at its most vulnerable, exposed, sad wet tendrils, crying on her back. Her hair is a main character in the diabolical plot against poor, dazzled Scotty.

Not gone with the wind. Elnett-ed to infinity.

Sad, confused chignon.

Ready for its close up. One of many.

Another miracle of senses is inspired by the two different shots used when Scotty sees Madeleine for the first time. This scene was reshot after filming had been completed [Novak had looked in the camera by mistake] and bears signs of inevitable slips in continuity. Can you guess which is the latter version? It’s the one with the redder background.

Judy is a mere brunette, a lesser breed. She knows it. “I’m just a girl.”

As Judy, she disappears into the background. She has no light.

“I don’t care about me anymore.”

More can be said about Midge’s [sensible] hairstyle and about Carlotta Valdez’ [severe] hairstyle.
Anyway, meet Kim’s wig head, on which Max Factor created her Vertigo wigs.





Tay

January 16th, 2012

LatelAy, I’ve been meeting my friends at Tea and Sympathy.





January 6th, 2012

Backstage at the VS magazine shoot. This is the back of Judith Bedard’s head. She’s teaching me about macrobiotic foods.





Underneath.

December 28th, 2011

Getting ready for work. No saggy/droopy socks to annoy/distract me.

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Hell-oh from the studi-oh

December 20th, 2011

Shooting for The Ground today.
Epic extravaganza, helmed by Seiji Fujimori.

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D magazine

December 2nd, 2011

D magazine shoot w/ Taghi Naderzad.

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http://www.pier59studiosblog.com/2011/12/shot-at-p59-taghi-naderzad-for-d-la-repubblica-magazine/





November vlog

November 25th, 2011

Been traveling much lately. This month it was Italian Vogue, Russian Vogue, Flaunt magazine, The Ground and some others that I’m not ‘sposed to mention.





Gravure magazine

November 25th, 2011

the Gravure magazine shoot I did with Diego Uchitel is just out.
more images @ http://gravuremag.com/#2179-tenth-muse

Photography by Diego Uchitel
Creative Direction by Alex Freund & Lisa Mosko
Hair by Thanos Samaras for Bumble & Bumble
Makeup by Thorsten Weiss








They don’t make them like they used to.

November 25th, 2011

Incessantly collecting (and using) old school hairstyling tools.
They don’t make rollers like these anymore. These metal ones are from the early 40s. They retain heat and transmit it into the hair long after you take them out of the dryer, making for a tighter curl. Their mesh construction renders them unsuitable for fine bleached hair, as they will leave dents. But perfect for thick, virgin hair. The spring coil ones, are in such rare small sizes, perfect for sideburns, baby hair, nape curls and for sneaking them between large ones where needed. These bad girls have just arrived, to join an army of long forgotten, strange old (very useful) curlers in my arsenal of old tools.
(also, observe the early 30′s pin curl clips, that are formed in a way that doesn’t crush the hair!)

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Intermix

November 4th, 2011

The Intermix holiday lookbook I did, just came out.



photographer Tesh
producer Disco Meisch
art director Milan Zrnic
stylist Susan Joy
make up Kristin Gallegos
hair Thanos Samaras





November 3rd, 2011

Nothing soothes me like touching old, brittle, destroyed hair.

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November 2nd, 2011

Should I? Hm..

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