Beauty story I did for HEREN magazine.

..and a little behind the scenes film I made. Alisa has an amazing gaze.

New work in the current issue of Blackbook, shot by Jason Kim.
[behind the scenes 1 and 2]

Some new work out, in the new issue of Vanity Fair Spain, shot by Greg Lotus.

The Tina Fey as Audrey Hepburn cover story we shot with Ruven Afanador, for Entertainment Weekly, is in stands now.

I made some Audrey bangs the night before.

Tools, notes n stuff.

The animals were photographed separately, to save time, so this guy was the stand in for the cat. His job was to be perched around Tina’s nape for the cover shot. He seemed so forlorn, I had to save him. So I stole him from the set. His tag says “Jeffrey”.

We spoke some Greek [“χέστηκα!“] and lamented on the frequent absence of lips on Greek faces, as evident in the picture below.

Spent a few days on a strange location in the American mid west, shooting for a spiffing British magazine.
It was surreal and it informed my choice of shapes.

this came onboard.
#fellinimoment

in Miami, for a Vanity Fair Spain cover shoot, with Greg Lotus.

Long humid day on location, shooting a Superhero girl story for Twelv magazine.

No filter Friday prep night.

After Blackbook shoot. First to arrive, last to leave. An empty studio is a scary, eerie place. Such is my life.

In the van, driving around the city shooting for Figaro Japan. That 4am wake up time, just wiped me. Zzzzzz t zt zt tz t. Zz yttztztztt tttz tzzzz

Embarking on a 3-day dyeing bonanza for my J&B campaign shoot later this week. HATE STAINS!
Also, Lana Del Rey is copying my blogs.

one of the looks I made for Bullett yesterday.

I got to the studio far too early again, they are not even open.
Was up all night dyeing hair for a shoot with Bullet today.
like such as:

New work in The Ground magazine. Shot by Seiji Fujimori.

[backstage]
I enjoyed working with Tabea, a very disciplined model.